Professor*innen

Prof. Barbara Hennings

Prof. Barbara Hennings

Editing Picture & Sound

Professor*innen
Professor*innen

Honorary Professor, Editor, a. o. AIMÈE & JAGUAR, DAS SCHRECKLICHE MÄDCHEN; Awarded the »Geißendörfer Ehrenpreis für Schnitt« for Lifetime Achievement

Phone
+49 221 920188-0
E-Mail

Vita

Barbara Hennings was trained as an editor by the AG Nachwuchsförderung in Hamburg from 1962-1964. Her training brought her together with renowned editors such as Alice Ludwig-Rasch. Later she worked among others with the film directors Michael Verhoeven, Max Färberböck and Peter Timm. Barbara Hennings is a founding member of the Bundesverband Filmschnitt Editor and was a managing director for twelve years. In addition to her work as an editor, she has also worked as a sound engineer and assistant director, as well as directing documentary films. Barbara Hennings is honorary chairman of the Bundesverband Filmschnitt-Editor e. V. (Federal Association of Film Editors) and member of “deutsche Filmakademie”.

In 2009 she received the Geißendörfer Ehrenpreis Schnitt.

Filmography

Selection

2017  Atempause 

2016  Solo für Weiss – Das verschwundene Mädchen 

2014  Bach in Brazil 

2013  Der Kommissar und das Meer – Der böse Mann 

2013  Nord Nord Mord – Clüver und die fremde Frau 

2011  Vater Mutter Mörder 

2011  Löwenzahn – Das Kinoabenteuer 

2010  Liebe deinen Feind 

2010  Eiserne Hochzeit 

2009  Liebe Mauer 

2009  Bis nichts mehr bleibt 

2008  Mein Song für Dich 

2008  Dornröschen

2007  Rennschwein Rudi Rüssel 2 – Rudi rennt wieder! 

2005  Der Feigling 

2004  Mein Bruder ist ein Hund 

2003  Das schönste Geschenk meines Lebens 

2001  Der Zimmerspringbrunnen 

2001  Albtraum einer Ehe 

Nomination German Television Award for »Best Cut«

2000  Und morgen geht die Sonne wieder auf 

German Camera Award for »Scenic Cutting Performance«

2000  Marlene 

1997  Aimée & Jaguar 

Nomination for Golden Globe 

1989  Das schreckliche Mädchen 

Nomination for Oscar und Golden Globe

1981  Die weiße Rose

»Right from the start, I have been part of the ifs and its commitment to the education of editors. Through the changes triggered by the arrival of the new technologies, the film editing education concept has had to be revised to tread new and different paths. The Specialization in Editing Picture & Sound is dedicated to both the picture and sound montage and design of a film, giving students the opportunity to orient themselves according to their particular aptitude. As an honorary professor, I am delighted at this opportunity to pass on the love I have for this profession and the ifs, thanks to its fl exibility, has proven to be the best partner.«

Barbara Hennings

Professor Editing Picture & Sound